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BringBackGlam.com recently spoke to original LA Guns Vocalist, and currently vocalist in the LA Guns featuring Tracii Guns.
A couple of excerts from that interview follow:
BBG: Why did you leave L.A. Guns when you were about to sign a record deal?
Paul: I was the main songwriter, along with Tracii, and I started the band but right about the time we were about to get signed –Guns n’ Roses had just gotten signed – and we all kind of continued to be the bad boys of rock n’ roll. We did a lot of partying, me and Izzy (Stradlin, Guns n’ Roses rhythm guitarist) we’re doing a lot of heroin together. Right before we were getting ready to be signed to Polygram; me and Izzy had gotten busted copping dope. We spent some time in jail. Really, just overnight in jail but we were facing charges and that sparked a lot of rumors that Guns n’ Roses would lose their deal with Geffen over the drug and heroin use. It was very apparent that I was very strung out on drugs and partying a little too much, and it scared our label. Basically our management, a guy named Alan Jones, was friends with Phil Lewis. Alan said that L.A. Guns could have record deal, but "you need to let us put our singer in there." So our management bought a ticket for Phil Lewis to fly over (from England) so he could replace me. Tracii always said that he felt really bad that he didn’t stick up for me, and I guess he felt Phil was filling the job good enough. That happened 20 years ago and its all water under the bridge now. Tracii and I have buried the hatchet and become friends again. It caused a lot of bitterness, because not only was I replaced, but they also used my songs for the first two records, which were really successful. Phil Lewis got the credit for my songs. To this day, he’s still taking credit for my songs. I sued them and got my credit back, but the lawsuit dragged out for three years and I couldn’t sign my new band when I was in a lawsuit with a major label, and it caused bad feelings all around. I think it probably held L.A. Guns back a little too. We don’t know what the future holds for L.A. Guns and this lineup, but we have a tight unit right now. Tracii’s son (Jeremy) is doing a great job on bass. He’s 24 years old. Full of energy, looks great, he’s just like we were back in the day.
BBG: You say Phil Lewis gets the credit for songs you wrote. What are those songs?
Paul: The very first single from the first record, a song called “Sex Action.” Polygram Records was coming to our shows, and were not committed to signing us. They were looking for a single. I wrote the song “Love and Hate” before L.A. Guns and later Mick (Cripps, former L.A. Guns bassist) rejected it (Editor's Note: an A&R rep for Polygram liked the song and it helped pave the way for a record deal). After I left the band, I think they brought in an outside songwriter, or they gave Phil Lewis permission to mess with my songs, and the lyrics got rewritten and the song became “Sex Action.” The music is the same and the guitar riffs are the same. I wrote all the music. They revamped the lyrics. Other than that, “One More Reason to Die” I wrote. “Show No Mercy” was one I wrote with the band. “One Way Ticket to Love” is a ballad I wrote with Tracii. “Never Enough” was originally a song called “Looking Over My Shoulder.” These songs are all in their original form on our Black List record. When the band got signed to Polygram and they hired a different singer, they (label management) confiscated all the demos and wouldn’t allow them to be released for all these years. We just did it anyway. Me, Nickey and Tracii kind of went through all our cassettes to find the best versions, took them to the studio to have them restored, and that’s what got released on the Black List record.
BBG: So, whatÂ’s the deal with the L.A.Guns name?
Paul: The L.A. Guns name is owned by all of us (original members). The guy who actually owned and trademarked the name was a guy named Razz. He was friend of Tracii’s from high school. He had a bunch of money because he was in an accident and in a wheelchair. He actually talked us into using the name L.A. Guns. Originally, we were going to use the name Faster Pussycat. We dropped that name because Razz asked us to use his name. He actually had van that said “L.A. Guns” on the side. We had backdrops and leftover promotional materials from Tracii’s old band that he left a year prior so he could form Guns n’ Roses. Razz wanted to keep the name L.A. Guns. Later, Razz got busy doing other things, so he gave me the paperwork for the name. When I did the settlement agreement with the band and Polygram, I didn’t release my rights to use the name L.A. Guns. All I did was give them permission to go ahead and use the name. When I put the Black List record out I still called it L.A. Guns. Well, “Paul Black’s L.A. Guns” so people would know that this was the original version of the band. Steve Riley and Phil Lewis feel like they’ve put so much of their time into L.A. Guns, they feel like they have a right to use the name as well. I don’t blame them. When you put so much of your life into something, you feel like you have a certain claim to it. Legally, the only people that have a claim to the name are me, Tracii, Mick (Cripps) and Nickey (Alexander). In my opinion, Tracii is the one that’s kept it going all these years. I don’t really participate in the drama…I’m more concerned with playing rock n’ roll and I try to ignore petty attacks.
BBG: So you donÂ’t feel any animosity toward Phil Lewis?
Paul: Well, yeah, heÂ’s said a lot of really crappy things about me. HeÂ’s been lying a lot. HeÂ’s still taking credit for my work. As a matter of fact, IÂ’ve been giving him the benefit of the doubt. Like maybe he just didnÂ’t know that they were my songs. Now I realize thatÂ’s not true. To this day, heÂ’s trying to convince people he wrote those songs. I deserve that credit, and I should have gotten credit for my work. To my face heÂ’ll be nice but since I rejoined the band, heÂ’s been fully attacking me, kind of putting me down, and criticizing my voice and everything else. I donÂ’t feel any need to retaliate. I think itÂ’s real immature and I donÂ’t think itÂ’s a good thing to do. Out of respect for the name L.A. Guns, itÂ’s really wrong for Phil Lewis to be putting down the original members of the band. HeÂ’s putting down the people that started the foundation for him. It doesnÂ’t make any sense. I think heÂ’s alienating a lot of L.A. Guns fansÂ… and I donÂ’t feel any need to retaliate.
Read the whole interview at BringBackGlam.com Â
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